February 13, 2011

Another Winter Field Trip

Digital original, 5 frame exposure blend, 3 image stitch

Digital Original

Digital original

February 12, 2011

January 23, 2011

Birds...and a Cat (Lake Side, Nova Scotia)

Digital original
During a visit to a friend's house, an origami mobile caught my eye - the shallow depth of field of my 85mm portrait lens was perfect for the subject.
Digital original
The rest of the visit was sent focused on Buffy...a male cat named by a child. Again the portrait lens was called into play.
Digital original

January 01, 2011

New Year's Day (Peggy's Cove, Nova Scotia)

Digital original
Every New Year's Day since 2007, I've been visiting Peggy's Cove, to photograph in the New Year. This year had no snow, but there was a rich array of icy pools to work with - the above image being my favorite of the visit.
Digital original
The late afternoon sun on the ocean made for a lovely contrast in colours.

November 18, 2010

Winter Reflections

Digital original
A gray, leaden sky looks quite different when reflected in a clear lake, rimmed with ice!
Digital original
Less than an hour after the first image, the sky had cleared, and a totally different appearance in the same lake.

November 15, 2010

A Sunset & Claire in the Studio

Digital original, 2 frame stitch
As I was preparing to head out to work with Claire, I caught sight of the sky outside my kitchen window, and paused just long enough to make a quick composition of the bands of gold and blue in the sky. A lovely look at the last light of the day!
Digital infrared original
This studio session was focused on working against a dark background, in contrast to most of the work I do with available light, which I set against white. I don't do a lot of studio photography these days, but with a model as confident and comfortable as Claire, it is deceptively easy to make striking photographs.
Digital infrared original
I just love the angle of Claire's shoulder in the above image - all through the session we had a running conversation, with pauses here and there when images came together. I forget what she had said moments before, but she was awaiting my response when I made this image, which goes some way to explaining the expression on her face.
Digital infrared original
For almost all this session I worked with a single light; in this case, I used it to light both Claire and the background, some 15' behind her. The rich shadows against the soft gray background are really pleasing, but I find the line up her other side, created by the light from the softbox falling across her hip, breast and arm, even more engaging.

It is no accident that while I intended the session to be set against black, I ended up working with gray!

November 11, 2010

A Vampire Bat Skull

Digital original, 9 frame focus blend
A while ago, I bought some skeletons and skulls online, for a photography project. That idea went nowhere, but recently, another digital concept has caught my interest, so I have returned to photographing the skulls. This time however, I was using a very different technique - lighting them with miniature soft-boxes illuminated by LED lights, and using focus stacking to achieve the sharpest, most detailed results.
Digital original, 20 frame focus blend
This image took a lot of careful camera work to make - it took three attempts before I got the spacing for the focus stacking right (if the difference between focus points is too great, there will be noticeable out-of-focus sections, which is very fake-looking). Now all I need is time to finish up the digital composites these are part of!

November 10, 2010

A Rain Swollen River

Digital original, 3 frame stitch
After two of the worst rains storms I have ever seen, this little stream, which I have worked with a couple of times lately, has grown to be a veritable torrent...there is no way I could have walked across the river, let a long have a model pose in it.

October 27, 2010

A Photographic Journey in South West England


On Wednesday night, October 27th, 2010, I will present an evening slide show sharing images from my recent visit to South-West England.

Drawn from one week spent working in Cornwall and Devon, and a second photographing historic Cathedrals and Abbeys, the show will explore both the beauty and heritage of South-West England.
Wednesday, October 27, at 7:30pm (doors open at 7pm). ViewPoint Gallery, 1272 Barrington Street, Halifax, Nova Scotia