June 14, 2012

Scotland I - A Walk About Town (Edinburgh, Scotland)

Digital original
The walk through the town lead to numerous attempts to capture the flavor of Edinburgh.
Digital original, 2 frame stitch
During my visit to Edinburgh in 2008, I’d spent some time in the Greyfriars Kirkyard, but this time it as a more focused visit, with an hour or more spent exploring the grave sites, and avoiding the Olympic flame parade and party that was swirling around us.
Digital original
One of my hopes for the brief stay in Edinburgh was that the night would be conducive to night photography, and it was indeed (though the sky could have been prettier. All the same, I am really pleased with the results, and with the beauty of the evening walk through the city.

June 10, 2012

Exposed in the ?? (Clam Harbour, Nova Scotia)


The "Exposed in the ???" was losely based on the Naked in the House event, which has been held semi regularly in Toronto (I particiapted in 2005's Naked in the House 5). The basic concept was that 10 photographers each had 15 minutes with a figure model in a undisclosed location; within that fifteen minutes, the photographers had to make as strong an image as possible.
Digital infrared original
The location was an historical village outside of Halifax, Nova Scotia, and while the date was June, it was a chilly wet day that was not at all conclusive to modeling Nude. Fortunately, we also had access to any of the buildings, so after a brief introduction to the model (who had warmed up in a dedicated building after the previous photographer), I selected my location and set to work. There wasn't much that called out to me in any of the structures I looked at, until I saw the engine in this building. Could you pose on that, I asked W_. Sure she said, and minutes later, was.
Digital original
The second striking image of the brief session (in most instances, fifteen minutes into a photo session is usually when the first image starts to come together...in this case, fifteen minutes is all I had to work with, in total) was actually more of a "snapshot". After we finished with the first set of images (four or five versions of poses on the engine) W_ huddled in her sweater as I set up for the next composition. I caught a glimpse of the window light on her back, and immediately asked her to not move, so I could make an image.
Digital original, 3 frame stitch
The final pose of the 15 minutes I had to work was a portrait, working with the soft directional light coming through the shed door. If I'd had a reflector with me (duh) I would have put more light into the shadows, but as it is, with careful post production, I was able to boost the shadow values enough to keep the result from being overly contrasty.

Night Light (Halifax, Nova Scotia)

Digital original
After a foggy drive home from teaching, I caught a glimpse of this beautiful street scene after parking my car. I nipped up to the apartment to get a camera, and made this composition before the weather could change.

June 03, 2012

Walking Around Moncton (Moncton, New Brunswick)

Digital original

The simplicity of peeling paint on this door drew me in.
Digital original
On a building downtown, one of the facing stones had fallen off, leading behind the imprint of the adhesive, on the granite behind.
Digital original
 I have always loved these iron plates (they're around trees in downtown Moncton) - the Sony 16mm lens was perfect for making a close-up image of it, and the surrounding sidewalk.

May 30, 2012

A Walk Downtown (Toronto, Ontario)

Digital original
The Power Centre, on the Toronto waterfront.
Digital original
While walking from the harbour islands towards downtown Toronto, I came across a wonderful steel sculpture; the weather wasn’t great, and I wasn’t dressed in the ideal clothing, but I just had to pause and make some images exploring the lines and shape of the sculpture.

May 27, 2012

Point Pleasant Park Field Trip (Halifax, Nova Scotia)

Digital original
I made this image during a field trip with my Photo 101 students; I was particularly pleased with it, so printed a 16"x24" image of it, and hung it the month after at ViewPoint Gallery. It sold on the first day!

May 15, 2012

Early Spring at York Redoubt (Halifax, Nova Scotia)

Digital original
Every decade or so, the gun-line at York Redoubt is repainted; for the first year or so, the white wash is painful to look at in direct sun, but once it weathers a little (a year or two), it becomes a little more "in tune" with the landscape around it.
Digital original
The RML guns at York Redoubt looked so freshly painted they seemed wet; it was beautiful to photograph, as there were so many other colours reflected.
Digital originall
I love the fact the original assembly marks from over 140 years ago are still visible on the RML guns.

May 10, 2012

A Waterfront Field Trip (Halifax, Nova Scotia)

  I can't count the number of times I have walked past this wharf, and not seen its possibilities.
Digital original
As I was walking back from the waterfront, I saw this street musician; I asked him if I could make a portrait of him, and he said "Yes", and promptly dropped his head, and stayed that way. Made on my little Sony NEX-5 with a 50mm f/1.8 lens, I am really impressed with the richness and detail of the image.
Digital original
I so strongly prefer to work with soft light that I sometimes forget how wonderful it is to work with direct sunlight, especially with richly textured subjects.
Digital original

May 09, 2012

May 03, 2012

The Light Beyond Exhibition (Halifax, Nova Scotia)

The Light Beyond is finally installed at ViewPoint Gallery and open to the public; unlike many of my shows to date, this is focused on a technical element, as opposed to subject or location. In addition to printing, framing and hanging the show, I also painted the gallery a neutral gray before installing the exhibition (sadly, the majority of the co-op members decided they liked it better white, so after the show is over, I have to paint it back to white).
Another element that sets this show apart from others is that it is the first exhibition I had decided to print with a tone to the monochrome images (usually I print them as neutrally as possible). I struggled with what tone to use for some time, but finally settled on rich warm brown for the shadows, shifting to a soft pale yellow for the highlights.